Tracy Lawrence is one of the premier voices of his generation, a sensitive and intelligent singer who continues to stretch both as an artist and as a person. Lawrence's dedication to honesty and respect for tradition have enabled him to build one of the most respected careers in recent country history.

Along the way, Tracy has posted more No. 1 Billboard country singles than greats like Glen Campbell, Keith Whitley, Ernest Tubb, Wynonna or Barbara Mandrell, to name just a few; more Top 5's than Shania Twain, Faith Hill or The Judds; and more Top 10's than Ricky Skaggs, Charlie Rich, John Michael Montgomery or Dwight Yoakam.

Tracy hit the national spotlight in 1991. He was just 23, the product of a rough-and-tumble childhood in Foreman, Arkansas. A self-described "hellion" as a youngster, Lawrence found release in performing. He was playing at music jamborees at 15 and in honky-tonks at 17, learning, he says, "what it takes to keep them on the dance floor through four or five sets."

He moved to Nashville in 1990 in a 10-year-old Toyota Corolla that had, he says, "about 250,000 miles on it, expired tags, no insurance, only three cylinders and a fan with a piece of wire around it to cool the car." He was a huge fan of Keith Whitley, Waylon Jennings and Merle Haggard, and he idolized George Strait, complementing those influences with an appreciation for Southern rock, which he knew held a special place in the hearts of his honky-tonk audiences. He was also taken by a country tradition that was then finding its chief manifestation in Randy Travis.

Lawrence adopted elements from all of these sources, and his striking vocal instrument - distinctively country with a cutting edge - earned him attention from the beginning. While working a series of side jobs, he entered singing contests around town, regularly winning first prize. A live appearance on a Kentucky radio station and a showcase at Nashville's famed Bluebird Caf led to his 1991 signing to Atlantic Records.

Lawrence's debut album, Sticks And Stones (1991) boasted four Top 10 country hits and launched him into the forefront of the decade's young talent. Journalists praised his style and fans pushed sales of the album to platinum certification. He proved he had the goods on the road as well, being named SRO's Best New Touring Artist in 1993.

As if that weren't enough, his second album, the double-platinum Alibis (1993), spawned four straight #1 smashes - the title cut, "Can't Break It To My Heart," "My Second Home" and "If The Good Die Young" - and earned raves everywhere from GQ to Newsweek. "That got us past the sophomore jinx," Lawrence says with a grin. During the mid-'90s, he was among the most-played artists in all genres.

Yet another quartet of major hits rose from the platinum I See It Now (1994), including "If The World Had A Front Porch" and "Texas Tornado." Then, Lawrence hit a creative and sales peak with "Time Marches On," a Bobby Braddock-penned blockbuster that led the 1996 album of the same name to double-platinum status and earned Lawrence nominations at all the major awards ceremonies.